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The initial mix took around 15 hours. Much of this time was spent mucking about with the snare drum and the vocals. The snare doesn’t have any ‘crack’ to it and no amount of equalising, as I found, was going to help. The vocals (and the drums in general) have the room sound imprinted on the recording. Baffles around the back of the kit and around the vocalist would have helped. In the end I scrapped the first mix and started again with a fresh outlook. This time I used the room sound instead of fighting against it. This kind of thinking certainly helped and the mix went smoother the second time around and got it done in six hours.
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Fieldhouse, Steve. 2007. “Audio Arts 1.” All seminars presented at the University of Adelaide from Feb to June.
Digidesign. 1996-2007 Avid Technology, Inc All Rights Reserved.
Fieldhouse, Steve. 2007. “Audio Arts 1.” All seminars presented at the University of Adelaide from Feb to June.
Digidesign. 1996-2007 Avid Technology, Inc All Rights Reserved.
3 comments:
pretty good band. I liked the final mix but the guitar part sounded a bit thin and in some parts hurt my ears (probably my shitty earphones). nice job
I liked the stereoing! of the guitar. how many mics did you use for it?
The singer is highly influenced by James Maynard, huh?
"I liked the stereoing! of the guitar. how many mics did you use for it?"
I had two mics on a speaker each on the quad box. He then double tracked it, but in the end I only used one mic each side.
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